Monday
It’s a travel day, and I’m at the airport by 5:30 a.m., on the airplane before 7. The plane is half-empty, which never seems to happen these days, and it’s glorious. There’s nobody next to me and I sprawl. Glorious.
I take the awkward “on the plane but no laptops” time to read a Simon Brett book – one of his newer ones, Guilt at the Garage, in which the 79-year-old male author’s heroines are mid-50s women. Neither Carole nor Jude are as attractive and fun as Charles Paris – the alcoholic, womanizing, often out of work actor who made Brett famous in the 1980s – but they’re fairly real. The Paris books are maybe politically incorrect now, as is Brett’s Mrs. Pargeter series (in which he writes a late 60s/early 70s heroine, and I don’t think he does this particularly well, but the series has other redeeming features, so I’ve devoured it all anyway). But as stories, as novels – they’re better. This makes me sad, because as a writer who’s occasionally achy in my bones and who sees the spectre of old age creep ever closer – and the possibility of that breakthrough novel creep ever farther – I don’t like evidence that suggests we reach our peak in our 30s or 40s.
Still. Brett is still writing. As am I.
Turbulence is nil so I open up my laptop 35,000 feet above the ground. Ever stop and think how crazy that is? Here, in this crazy time, in this crazy moment, I am in a metal tube above the clouds, hurtling around the globe at 850 km per hour, and while I’m doing this – I’m pulling out my laptop and working.
I have a couple of workshops to facilitate on my whirlwind trip, and speaking notes for a big event to finalize before the end of day. I’m working on them while sitting in a pretty comfortable seat (thank you, Porter Airlines, please don’t go out of business), flight attendants intermittently bringing me coffee and cookies.
I feel so lucky.
The previous Friday
I’m, I suppose, a seasoned traveller. I’ve spent my childhood on planes. I pack light and I pack quickly. For my Monday morning flight, I pack as soon as I finish Friday’s laundry.
I want to treat myself to a work-free flight, so I start the day aiming to finish all the things before I log off for the day. But I hit my usual afternoon wall of brain fog. I know I have two hours, less, of work left. But it’s two hours of how I function in the morning or early afternoon, not the way I function in the late afternoon or evening. I can finish my work today. But it will mean working until 8 p.m. Maybe 9.
I log off, walk the dog, get Ender a sewing machine, feed the progeny, dress up, go dance with the Hot Dyke Party at the High Performance Rodeo.
I will work on the plane on Monday. I’m so, so lucky.
Earlier that month
It’s not a good day. Focus is hard and loving people is hard. Remembering people exist is hard. My work feels meaningless, the cats shed too much, there’s nothing good to eat in the house, I want a cookie, you’re not here, I want to cry, I can’t write.
Well. I can always write. I can’t write well.
I pull out a notebook and I write badly.
I switch to the laptop and I write some more. Maybe a little less badly. Hard to tell.
Ok, that part, that was actually ok. More like that.
Deep breath. One more scene? No. I’m tapped. I haven’t hit the wall yet but I see it. Today, I can’t deal with the impact.
There’s still nothing good to eat in the house and I still want a cookie. I eat some uninspired leftovers for an undefined mid-afternoon meal and promise to take myself out for dessert in the evening.
Maybe that Thursday, or the one before
She’s also a Simon Brett fan, and she also thinks Charles Paris is the best character Brett has created, although she also likes the de-cluttering series and its heroine, Ellen Curtis. I don’t – Brett tackles mental health issues in that one, and while he does so sensitively enough, I suppose, he doesn’t do it well. It’s all so contrived. And he may well be writing from the heart and from personal experience, I don’t know. I’m reading from the heart and painful personal experience too. It doesn’t ring true.
That’s the challenge of all writing: Can I dip into my darkness and make it real for you?
It’s pretty easy to do with joy. Joy, ecstasy – we can connect on those with almost anyone.
Grief, pain, horror?
We all think we suffer alone, our suffering is unique.
And even though it isn’t, that’s the way it feels. Always.
Sunday afternoon
I pick you up from the airport, and you’re my cookie and my dessert, and the wave of happiness that hits me almost drowns me, I can’t breathe.
(See? Everyone can relate to that. You can celebrate with me. Grieving together, that’s much harder.)
We stop at my house to check on Ender, who is on his third day to becoming a master sewer. I’m astounded by the progress he’s made since we got him the sewing machine on Friday. He’s made, like, pants. Also a toque. But pants! Three pairs – the last one is, he decides, wearable.
Children are astounding.
I look at this human who came out of me – seriously, how weird is this, I grew that thing, I literally made him inside my body and now there he is, coming up on 6 foot 2 and making pants on a sewing machine, how is that possible, how is that real, how is that life?
I feel so lucky.
I hold you tight.
Tomorrow and the day after
I have meetings, workshops, dinners, a full agenda. I’m 3500 kilometres from home and 4200 kilometres away from Flora – this always matters, from Calgary I can be in Vancouver within two hours if I need to be, from Toronto, it’s a harder, longer trip.
I anchor on the page every morning. Good morning and good night texts. Do you have a few minutes to talk? Maybe.
I try to remember that I’m so lucky. I’m here and you’re there and we can still talk. And I’ll be back soon.
In the evenings, after dinner, I curl up on the hotel room bed and pull out the laptop.
I write.
I’m so tired.
xoxo
“Jane”
I’m so lucky.





















