Expiration date

nbtb-etienne zack

I.

Jane: I’m going to blog about…

Flora: No.

Jane: How about…

Cinder: No.

Jane: Goddammit, it was really funny. I know, I’ll write about…

Ender: No!

Consent. It’s a thing.

This is why I now write fiction. For adults.

(But I’m still keeping notes for a bestselling memoir called The Secret Lives of Children.)

nbtb-gallery view

II.

This is not a non sequitur. You will see.

k d lang on creativity:

“if you just celebrate the fact
that you get to be creative
it’s a totally different ball game
than if you look at it
as a means to an end
as a vehicle to success”

(You can check out the interview that’s excerpted from here).

III.

While everyone was having a final moment with The Hip, I couldn’t bear to look and instead, feeling maudlin, I was binging on kd lang, and wondering… if I had learned I had an immediate expiration date—three months, three years, three days—what would I do NOW?

Sappho1

III.

Flora: Mom? You know how we spend all this time planning your funeral?

OK, we don’t. We only ever did it once… but I think it mildly traumatized them.

Jane: Um… yeah?

Flora: So should I die before you—I want to be cremated and have my ashes turned into glitter.

Jane: Glitter?

Flora: Yeah, you know. Like glitter glue, glitter paint, all sparkly?

Jane: I’m not sure if ashes…

Flora: You probably won’t have to do anything. After all, I am an evolved unicorn. I’ll probably just turn to glitter naturally.

Naturally.

nbtb-priorities

IV.

We all have an expiration date—an end date—don’t we? What’s yours? What’s mine? Suppose it were tomorrow?

Fingers hover over the keyboard. Where the fuck am I going with this?

Ender climbs into my lap and knocks the laptop screen over. I tuck him into my left armpit and kiss his crazy dreadlocked hair. We shift and reposition—I try to reach other his squirming body to reach the keyboard with my left hand…

Ender: You’re squeezing me to death, Mom!

Jane: That’s because it’s rather hard to type while hugging you.

Ender: You can’t stop.

Hugging him? Or the other?

I wrap my left hand around his head. Type only with my right.

Where am I going with this?

If I had an expiration date.. what would I do? What would I change?

“How we spend our days is, of course, how we spend our lives.”

Annie Dillard

I keep on hugging. And typing, with one hand.

Then get kd lang to belt out Leonard Cohen’s Hallelujah in the background:

xoxo,

“Jane”

POST-SCRIPTS

For writers:

One Stop For Writers–a new initiative by Calgary writer and entrepreneur Angela Ackerman

From around the world:

Giving up alcohol opened my eyes to the infuriating truth about why women drink by Kristi Coulter on Quartz –also check out author Kristi Coulter’s blog, Off-Dry: Sober Girl, Loopy World

If you’re in yyc:

You MUST go to the Esker Art Gallery  and see Wafaa Bilal’s 168:1 exhibit. –it wraps up this Sunday and it needs to be seen.

Also:

Passionate Kisses featuring performances by The Coming Out Monologues, August 31, at The Simmons Building

Inspired Calgary: Calgary’s First Secular Homeschooling Conference, Cardel Theatre, Sept 3rd—come hear me speak about unschooling.

The Rocky Horror Picture Show at the Plaza, Sept 4th.

-30-

nbtb-wafaa bilal at esker

interlude: a perfectly ordinary monday

Prologue

It was a Monday, and I want to tell you about that Monday on this Monday, because there was absolutely nothing special about it.

And it was marvelous.

I.

I woke up squeezed, the cement between Ender’s sticky stinky back—Christ, that child needs a bath and a reminder to change his shirt—and his father’s cool front, his hot breath on my neck. Stretched, opened eyes, closed them. It was a Monday, I knew, and I could wake up now, go make coffee, start writing… or wait, wait, stay tucked in-between the sheets and my loves, and Sean’s alarm would go off, and he’d get up, sigh, stretch—then meander up the stairs, make the coffee before heading up to the shower.

What do you think I did?

interlude-within-interlude

I love waking up to made coffee. I love making coffee too—my relationship with the black drug is both dysfunctional and erotic—but I love having it made for me more.

II.

The coffee was just ready to be pressed when I walked into the kitchen. I kissed Sean’s neck, then cheek. Poured that first cup, body taut with anticipation. Oh, yes. The smell.

Then—cinnamon. Cardamom. Liquid whipped cream—never, ever, love, offer me skim milk or diary substitute for my coffee. No, nor half-and-half—if we are to sin, let us sin fully, never in tepid, dietary half-measures.

Then I wrote.

Three pages of shit. Really. There were, in those three pages, two, three good sentences and one decent phrase—and three or four paragraphs that, down the line, may become a good chapter. But, generally… shit.

Three pages of it.

It happens like that sometimes.

III.

Sean needed me to drive him to work, but that’s not why he brought me a second cup of coffee—cinnamon, cardamom, whipped cream added, but of course—and when I drank it—pen scratching paper, one dull sentence after another—I felt so loved I think I managed to write a phrase that didn’t suck.

We left the house at 8:40, leaving the younger two eating cereal and chips and salsa in the living room while watching age inappropriate Netflix programming.

We drove in silence. I don’t like to talk in the morning—there are too many thoughts to speak. I was back at 9:04. Flora and Ender were still eating and consuming How I Met Your Mother. “Today’s our binge day, right?” Ender checked in. I nodded. Poured a third cup of coffee. Cardamom. Cinnamon.

Fuck, out of whipped cream.

life hack

Time is perhaps my most precious commodity—and it is not that I do not have enough time—I have as much of it as you, as everyone: twenty-four precious hours in every precious day, seven days in every week, and 30 to 31 days a month, except in February…

And I work very diligently at not being overscheduled or rushed, at not overscheduling or rushing my family.

I work, quite creatively, I think, at finding ways to make my time work for me, for them.

“Binge days” are one of my tools. On Mondays and Thursdays, I outsource parenting to the iPads and laptops. The kids can watch, play anything all day (the rest of the week, we are screen-free until after supper). I don’t make breakfast, lunch, snacks—I am effectively unavailable to the children until 4, 4:30 when I will make them supper… although it will probably be hot dogs or ramen noodles. Those are the days that I sink into my work… or leave the house, meet friends, occasionally roam the streets aimlessly for hours—that too is part of the process.

III.

I drank the coffee black while revising and rehearsing “If Nikita Krushchev had to wash a bra in Cuba.” The children were quiet so I thought I’d record it—but Sean had taken the laptop with Adobe Audition to work, so no, that wouldn’t work… what next? Another postcard, “Homesick,” yes, this one needed more work, a lot more work, and there was a piece missing—did I not write down a conversation I had with Lazaro—he asked me, “Do you miss home,” and I said… where is it?

Found it. Yes.

I don’t usually clean on binge days but on this Monday, the house looked the way Eastern Europe did when the Mongols rode through it on a thirteenth century Sunday, so on the way upstairs to pee, I swept the living room and asked the kids to pick up those things from the dust pile they did not want to end up in the garbage. After peeing, I cleaned the bathroom—because I was there, and because the Mongols had been there too.

explanation

Marie’s elder two boys were visiting Cinder the week prior (and the week that would follow). There was much joy. And really, comparatively controlled destruction. But having four boys (I absolve the man from blame) pee in one bathroom for however many days straight… no way was I going to have a shower or bath until I cleaned it thoroughly.

And also, lit some incense…

IV.

I read “Homesick” again, revised it a little, saw that you texted, decided to ignore you while I thought about what was wrong with “Homesick,” got hungry.

Made fava beans for myself and helped Ender make a cheese tortilla with salsa—washed dishes while the beans cooked—thought about a woman named Molly Jones and someone  currently represented in the manuscript as [S.C./X]—asked the kids if they needed anything—chopped parsley and cilantro, got it all over the floor but did not clean it up.

Ate while reading Gut: The Inside Story Of Our Body’s Most Underrated Organ by Giulia Enders, and I think you might enjoy reading it too.

Texted you, then got a great idea for how to illustrate “Homesick,” and that entailed taking a photograph of… did I know where it was, I did, found it, did it.

Ate one more spoonful of my fava bean mush.

Remembered that while I was writing my shitty morning pages I was thinking that I was running out of clothes and that if I wanted to have socks to wear for tomorrow, I ought to put in a load of laundry, so I went upstairs to start the water running for my bath, and then ran downstairs to put in a load of my clothes.

Made it upstairs before the tub overflowed, and that made me so happy.

Bath, in the dark, incense. No candles today.

True story: no one interrupted me while I bathed. Not a single one of the children needed to pee, vomit or brush their teeth.

It was glorious.

I had an idea.

I didn’t write it down. But it stayed.

insight

I’ve been reading a little, again, about writers and writing—journaling and writing practice in particular, because, I don’t know, I’m stuck, bored? Something’s coming—I feel restless and unsettled, and I have these two, three projects in hand right now, but I think something else is coming, and I’m not sure I have the tools… where was I?

I’ve been reading a little, again, about writers and writing—which is procrastination disguised as professional development—and among the things the gurus are in agreement about is that you must write things down, have notebooks, pencils (phones with notepad apps) about you at all times to jot down ideas, inspiration. I don’t know, I guess it doesn’t hurt…

But the good ideas, they stay. In fact, they refuse to leave, the invasive, demanding, clamorous bastards.

Clamorous is a nice word. Try to use it today in a casual conversation; better yet, at a board room table.

V.

Took the neglected dog for a walk. Flora came with. The weather was blustery; we were happy.

I had a lot of thoughts.

The dog found some disgusting garbage to eat—a piece of meat tied around a string, what the fuck—and I had to ram my hand down her throat to pull it out, yuck, yuck, gross—so grateful Flora was with me so that she could open doors for me as I ran into the house to wash my disgusting hand.

“Don’t say you hate the dog,” Flora forestalled me.

“OK,” I agreed. But I thought it.

unsolicited advice

Dogs and children do not go together. This is a horrible myth perpetuated by Hollywood? 1950s children’s books? Something. I don’t know. Please, for the love of the dog you are going to neglect, listen to me: if you are pregnant, if you are planning to have children soon—if you have small children: DO NOT GET A DOG.

It’s fine. I know you’re not going to listen. When you do get your dog, and neglect it, and don’t particularly love it, come back and let me say, “I told you so.”

Marie, by the way, I totally blame you. You should have stopped me.

VI.

Sat down and wrote for 75 minutes straight. Fucking gold. Every word worth keeping.

Well. Ok, 25 per cent of them would be cut later. In the moment, though—I was 100 per cent satisfied.

As a result, I decided to make the children mashed potatoes and breaded chicken cutlets for dinner, instead of the Mr. Noodles Ramen they were probably expecting.

Thought about you, a little. Of course I did. Listened to Amanda Palmer’s The Art of Asking while peeling the potatoes and seasoning the chicken.

Finally cleaned the muffin in which I had made Eggs A La Janine last weekend, and ugh, it was disgusting.

a recipe: eggs a la Janine

If you ever want to feed six to twelve people piping hot bacon and eggs that are all ready at the same time, you will need a dozen (or two eggs), as many slices of bacon as you have eggs, and a muffin tin (or two).

Cut a bit off each bacon slice—just enough to fit in the bottom of each muffin hole. Put that bit in the bottom, then take the rest of the slice and put it inside the hole: yes, you’ve just made a muffin cup out of bacon. Repeat with all your bacon slices… and now break an egg into each cup.

Bake for 12-20 minutes (depending on how set you like your eggs) at 350 degrees. Yum.

VII.

When Sean came home, we ate very quickly, did a half-ass job of cleaning the kitchen, and ran to listen to some people talk about art.

When we came home, we talked about art some more. Read books to the still-awake kids—dammit, sometimes, when we go out at night, they put themselves to bed, but no, that Monday they waited for us.

Scratch that dammit. It was lovely.

Then, sex.

Sleep.

*

Epilogue

Later that week—it was on a Saturday—I would meet a woman named Karen Pheasant who came into my life solely to tell me that she lived a creative non-fiction life.

Me too, sister. Me too.

The artists talking about art didn’t talk about this, but another artist—also a zoologist—calls art making the extra-ordinary out of the ordinary.*

I like that definition. Mostly.

Except… if you really pay attention to things… is anything ever ordinary?

So then… is everything art?

So then, I thought about you and all the things I hadn’t told you since the last time I saw you.

Here you go. They are all contained in the story of this one monday.

Isn’t that extra-ordinary?

“Jane”

Cigar Smoke Selfie Modified

POSTCARDS FROM CUBA: altered doorways, three

For Golriz. I don’t know why. Do you?

Doorways3-Paper and Metal

The de facto sponsor for this week’s art postcards is Amanda Palmer’s Art of Asking. You know why, right?

This was last week’s listening postcard, and it’s worth listening to: if Nikita Khrushchev had to wash a bra in Cuba although Lazaro’s Farm is still my favourite, and if it’s your first time here, it’s best to start with blame it on Hemingway.

*

LANDED here for the first time? Let me catch you up:

Series 1 of Postcards from Cuba is now fully live. Check out the annotated table of contents for a tour, or, if you prefer, hop over to the chronological table of contents.

And if you like what you read/hear/see, please consider expressing your delight by becoming a patron of this project via PayPal:

PayPal - The safer, easier way to pay online!

You: Why?

Jane: Because you’ve always wanted to be a patron of the arts, and you know that artists can’t pay for groceries with exposure.

You: How much?

Jane: Buy me a cup of coffee, a Cuba Libre, or a counterfeit Cuban cigar.

You: That’s all?

Jane: My avarice is happy to match your affluence. But I get $1 in royalties for each copy my other self sells of a traditionally published book. It is impossible to disappoint me.

If you would like to make a contribution, but have PayPal issues (I get it), please email me at nothingbythebook at gmail.com, and we’ll work something out.

Thank you!

“Jane”

NothingByTheBook.com / Tweet tweet @NothingBTBook / Instagram NothingByTheBook

Altered Doorways Banner

POSTCARDS FROM CUBA: altered doorways, two

For Sean. Who loves peeking into open windows and doors.

Doorways2-Paper and Metal

The de facto sponsor for this week’s art postcards is Amanda Palmer’s Art of Asking. You know why, right?

This was last week’s listening postcard, and it’s worth listening to: if Nikita Khrushchev had to wash a bra in Cuba although Lazaro’s Farm is still my favourite, and if it’s your first time here, it’s best to start with blame it on Hemingway.

*

LANDED here for the first time? Let me catch you up:

Series 1 of Postcards from Cuba is now fully live. Check out the annotated table of contents for a tour, or, if you prefer, hop over to the chronological table of contents.

And if you like what you read/hear/see, please consider expressing your delight by becoming a patron of this project via PayPal:

PayPal - The safer, easier way to pay online!

You: Why?

Jane: Because you’ve always wanted to be a patron of the arts, and you know that artists can’t pay for groceries with exposure.

You: How much?

Jane: Buy me a cup of coffee, a Cuba Libre, or a counterfeit Cuban cigar.

You: That’s all?

Jane: My avarice is happy to match your affluence. But I get $1 in royalties for each copy my other self sells of a traditionally published book. It is impossible to disappoint me.

If you would like to make a contribution, but have PayPal issues (I get it), please email me at nothingbythebook at gmail.com, and we’ll work something out.

Thank you!

“Jane”

NothingByTheBook.com / Tweet tweet @NothingBTBook / Instagram NothingByTheBook

Altered Doorways Banner

POSTCARDS FROM CUBA: my favourite Havana #graffiti artist

For Jenn. Who would have helped me track him down.

The effective sponsor for this week’s art postcards is Amanda Palmer’s Art of Asking.

FavouriteGraffitiArtist

His work is all over Havana, and I think I found him in an art gallery once–and one day, someone told me his name AND his address, and I wrote it down on a sunscreened forearm, and then lost it…

This was last week’s listening postcard, and it’s worth listening to: if Nikita Khrushchev had to wash a bra in Cuba

catch up: ANNOTATED table of contents for the POSTCARDS FROM CUBA project

*

Did you listen to that Amanda Palmer Ted Talk? Yeah?

Trio on benches at laundry park3

If you enjoy the Postcards project, please express your delight and support by making a donation via PayPal:

PayPal - The safer, easier way to pay online!

You: “But how much should I give?”

Jane: “I get $1 each time a sell a traditionally published book, so my bar’s set really low, love. Want to buy me a cup of coffee? That’s $4.75 if you’ll spring for a mocha or latte.”

If you’d like to make a contribution but have PayPal issues, email me at nothingbythebook@ gmail.com and we’ll work something out.

Or, ya know. Just hang out with us and enjoy. That be cool too.

xoxo

“Jane”

NothingByTheBook.com / Tweet tweet @NothingBTBook / Instagram NothingByTheBook

*

LANDED here for the first time? Let me catch you up:

Series 1 of Postcards from Cuba is now fully live. Check out the annotated table of contents for a tour, or, if you prefer, hop over to the chronological table of contents.

And… would you?

PayPal - The safer, easier way to pay online!

You: Why?

Jane: Because you’ve always wanted to be a patron of the arts.

A conversation, a reading assignment, a writing exercise, and a re-run #12

A conversation:

Ender: Oooh, one more chocolate croissant, yum!

Jane: Oh, yeah, one more. Do you want to share it with Flora and Cinder?

Ender: No. I want to share it by myself.

Ta-dum.

September 12, 2012

A reading assignment that will change your life:

How To Do Nothing With Nobody All By Yourself by Robert Paul Smith

and if you cannot get a hold of that, read In Defense of Boredom: 200 Years of Ideas on the Virtues of Not-Doing from Some of Humanity’s Greatest Minds on (where else) BrainPickings.

 

A writing exercise to do instead of checking Facebook:

Pen. Notebook. Or, laptop. First four words: “I was bored, so…”

 

An explanation:

This is the final week of my 12-week unplugged AWOL! Actually, I’m back—home sweet home—but 12 seemed like a more… symmetrical? number than 11, and I thought I’d want a week to settle. The conversation + reading assignment + writing exercise + re-run wraps up today. Next week—something utterly new.

Until then…

Enjoy.

 

A re-run:

Everyone Isn’t An Artist

first published March 25, 2012

There is a lovely quote attributed to Pablo Picasso along the lines that, “ “All children are artists. The problem is how to remain an artist once he grows up.” In Quest Theatre’s production of For Art’s Sake, the lovely children’s play that played last weekend at Y-Stage in Calgary, the playwright and authors draw attention a couple of times to another Picasso soundbyte on art: that the great master spend most of his adult life trying to paint (think?) like a child. The message of the play, delivered repeatedly by one of the characters and proudly parroted back at the actors at the end of the play by my own Flora? “Everyone is an artist.”

Except they’re not.

A caveat before I go any further: I enjoyed the play—the actors were terrific, the setting and its use of multi-media inspired, and the little people loved it. I love Quest Theatre. I support Y-Stage unreservedly and will be back for their offering next month (here’s a link to details about the show at FamilyFunCalgary).

But I disagree with its fundamental tenant. Everyone is not an artist… and I’m not sure why these days, artists are so darn determined to convince the rest of us that a) they’re not that special and b) if only we opened our minds / cleaned our chakras / freed our inner elves, we could do what they do.

I am a writer. I don’t think everyone is a writer. Nor that everyone should exert themselves to be a writer, to express themselves, fulfill themselves—earn a livelihood for themselves—in this particular way. If everyone is an artist, is everyone an engineer? A plumber? A mathematician?

My artist child is shining under the influence of the play. She’s an artist. And she loves the message that everyone is an artist. It’s reassuring to her fledgling confidence.

Her older brother? He laughed in all the funny spots. Clearly enjoyed himself. As we leave the theatre, however, he’s unforgiving. “It was kind of crappy,” he says. “Art this art that. I don’t like art. I don’t like drawing or painting very much. Or even looking at pictures. That’s just not my thing.”

He’s not an artist. Nor a thwarted artist—not an artist denied. Surrounded by paints, crayons, markers, pencils, chalks, in a house in which walls were prepped for painting and drawing on, he abandoned all that as soon as he grew into consciousness of choice. That is not how he expresses himself, fulfills himself, processes information, relaxes.

But it is what his sister turns to do all that. She draws when she’s overflowing with happiness. And when she’s sad. When she’s at a loss. It’s what she does when she listens to books on tape. Her handwriting practice sheets are works of art—an interplay of colour, patterns, creation. Will this love stay her lifelong passion, lead her to her livelihood, or remain a steadfast companion/form of release and expression throughout her life?

Maybe. And will she try to convince her brother that he’s an artist too? That everyone is an artist?

Frankly, I hope not. It’s a gift, a talent, a passion that not everyone shares or aspires to. And claiming that they do denigrates its meaning. Its value.

Everyone’s not an artist.

What do you think?

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Summer rerun2: Everyone is NOT an artist

This post was originally published on March 25, 2012, after a children’s play called For Art’s Sake riled me, a little. It seems appropriate to revisit it right now, as I’m immersed myself in the art and life of Calgary artist Amy Dryer (FragmentsOfSoul), struggling to reduce her immense talent into a too-much, too-shallow profile for a magazine client. 

Why the rerun: Nothing By The Book is taking a page from old school un-social media and doing a re-run summer, while I spend the hot days getting a tan, running through sprinkles, selling one book, writing another, reading two dozen more, neglecting my garden, falling in love, jumping off cliffs—you know. Everything but blogging. But, you get reruns of my favourite stuff, so everyone wins. Likely keeping up with Instagram—NothingByTheBook—connect there, if you like? Or Twitter—  or/and .”

NBTB-Not An Artist

There is a lovely quote attributed to Pablo Picasso along the lines that, “ “All children are artists. The problem is how to remain an artist once he grows up.” In Quest Theatre’s production of For Art’s Sake, the lovely children’s play that played last weekend at Y-Stage in Calgary, the playwright and authors draw attention a couple of times to another Picasso soundbyte on art: that the great master spend most of his adult life trying to paint (think?) like a child. The message of the play, delivered repeatedly by one of the characters and proudly parroted back at the actors at the end of the play by my own Flora? “Everyone is an artist.”

Except they’re not.

A caveat before I go any further: I enjoyed the play—the actors were terrific, the setting and its use of multi-media inspired, and the little people loved it. I love Quest Theatre. I support Y-Stage unreservedly and will be back for their offering next month (here’s a link to details about the show at FamilyFunCalgary).

But I disagree with its fundamental tenant. Everyone is not an artist… and I’m not sure why these days, artists are so darn determined to convince the rest of us that a) they’re not that special and b) if only we opened our minds / cleaned our chakras / freed our inner elves, we could do what they do.

I am a writer. I don’t think everyone is a writer. Nor that everyone should exert themselves to be a writer, to express themselves, fulfill themselves—earn a livelihood for themselves—in this particular way. If everyone is an artist, is everyone an engineer? A plumber? A mathematician?

My artist child is shining under the influence of the play. She’s an artist. And she loves the message that everyone is an artist. It’s reassuring to her fledgling confidence.

Her older brother? He laughed in all the funny spots. Clearly enjoyed himself. As we leave the theatre, however, he’s unforgiving. “It was kind of crappy,” he says. “Art this art that. I don’t like art. I don’t like drawing or painting very much. Or even looking at pictures. That’s just not my thing.”

He’s not an artist. Nor a thwarted artist—not an artist denied. Surrounded by paints, crayons, markers, pencils, chalks, in a house in which walls were prepped for painting and drawing on, he abandoned all that as soon as he grew into consciousness of choice. That is not how he expresses himself, fulfills himself, processes information, relaxes.

But it is what his sister turns to do all that. She draws when she’s overflowing with happiness. And when she’s sad. When she’s at a loss. It’s what she does when she listens to books on tape. Her handwriting practice sheets are works of art—an interplay of colour, patterns, creation. Will this love stay her lifelong passion, lead her to her livelihood, or remain a steadfast companion/form of release and expression throughout her life?

Maybe. And will she try to convince her brother that he’s an artist too? That everyone is an artist?

Frankly, I hope not. It’s a gift, a talent, a passion that not everyone shares or aspires to. And claiming that they do denigrates its meaning. Its value.

Everyone’s not an artist.

What do you think?

xoxo

“Jane”

PS Looking for me? Awesome. Click here.

Defining family-centred, in pictures

If there is indeed a permissive-to-authoritarian parenting spectrum, I  fall, by conscious choice, closer to the P than the A. But, the phrases “child-centred” and “child-led” raise my hackles. I’ve  always liked “family-centred” or “whole-family focused” for those moments when absolutely pressed to slap a label on us. But those terms are pretty hard for me to define (although, in the past, I’ve tried to do so here, Finding Your Family’s Harmony, and here, 10 Habits From the House of Permissiveness).

Except on New Year’s Eve 2012. The way we sent off 2012 and brought in 2013 was, to me, the perfect illustration of a family-centred life… and a rockin’ party. The party was so good no one took the time to take pictures. But here are a few pictures of the aftermath.

First view of the kitchen in the morning:

Aftermath1

The Perplexus in the remnants of the cheeseplate:

Aftermath0

Ender posing in front of the “Kids’ Art Wall” in the kitchen:

Kids Wall 2

This was the little kids’ art wall: the toddlers went to town on it with tempera paint, and then the older kids came and added their handprints… they got a little over-enthusiastic and started to mark up our map, at which point I redirected…

Kids wall 1

The older kids and adults put their marks here:

Whole Wall

This wall is the view that greets you when you walk up our entry way stairs into our main living area. It’s the wall that gets diritiest and most marked up in life. We were planning to repaint it at some point this year… in the interm, it’s our wall of awesomeness. Here are some close ups:

Wall Peacock

Wall 2

Wall Organs

Wall Classic Mark

And in the morning, we cleaned up the debris mostly together:

Child Labour

And that, from the kids-and-adults party through to everyone working together to clean up the mess–and everyone working together to create the art (and mess)–is family-centred living to me.

What is it to you? And how did you bring in 2013?

(By the way, if you didn’t visit Cloudy With a Chance of Wine’s Best of 2012 Blog Hop on New Year’s Eve–pop over there sometimes this week when you have a chance. People linked their best posts of the year, and there are some absolute gems to be discovered. I’m still working my way through the posts, because there are so many excellent ones to read one doesn’t want to just skim.)

Everyone isn’t an artist

There is a lovely quote attributed to Pablo Picasso along the lines that, “ “All children are artists. The problem is how to remain an artist once he grows up.” In Quest Theatre’s production of For Art’s Sake, the lovely children’s play that played last weekend at Y-Stage in Calgary, the playwright and authors draw attention a couple of times to another Picasso soundbyte on art: that the great master spend most of his adult life trying to paint (think?) like a child. The message of the play, delivered repeatedly by one of the characters and proudly parroted back at the actors at the end of the play by my own Flora? “Everyone is an artist.”

Except they’re not.

A caveat before I go any further: I enjoyed the play—the actors were terrific, the setting and its use of multi-media inspired, and the little people loved it. I love Quest Theatre. I support Y-Stage unreservedly and will be back for their offering next month (here’s a link to details about the show at FamilyFunCalgary).

But I disagree with its fundamental tenant. Everyone is not an artist… and I’m not sure why these days, artists are so darn determined to convince the rest of us that a) they’re not that special and b) if only we opened our minds / cleaned our chakras / freed our inner elves, we could do what they do.

I am a writer. I don’t think everyone is a writer. Nor that everyone should exert themselves to be a writer, to express themselves, fulfill themselves—earn a livelihood for themselves—in this particular way. If everyone is an artist, is everyone an engineer? A plumber? A mathematician?

My artist child is shining under the influence of the play. She’s an artist. And she loves the message that everyone is an artist. It’s reassuring to her fledgling confidence.

Her older brother? He laughed in all the funny spots. Clearly enjoyed himself. As we leave the theatre, however, he’s unforgiving. “It was kind of crappy,” he says. “Art this art that. I don’t like art. I don’t like drawing or painting very much. Or even looking at pictures. That’s just not my thing.”

He’s not an artist. Nor a thwarted artist—not an artist denied. Surrounded by paints, crayons, markers, pencils, chalks, in a house in which walls were prepped for painting and drawing on, he abandoned all that as soon as he grew into consciousness of choice. That is not how he expresses himself, fulfills himself, processes information, relaxes.

But it is what his sister turns to do all that. She draws when she’s overflowing with happiness. And when she’s sad. When she’s at a loss. It’s what she does when she listens to books on tape. Her handwriting practice sheets are works of art—an interplay of colour, patterns, creation. Will this love stay her lifelong passion, lead her to her livelihood, or remain a steadfast companion/form of release and expression throughout her life?

Maybe. And will she try to convince her brother that he’s an artist too? That everyone is an artist?

Frankly, I hope not. It’s a gift, a talent, a passion that not everyone shares or aspires to. And claiming that they do denigrates its meaning. Its value.

Everyone’s not an artist.

What do you think?