I’ve just started reading this: Far From The Tree: Parents, Children, and the Search for Identity by Andrew Solomon (2012), and I think you will enjoy it. Listen, this is how it opens:
There is no such thing as reproduction. When two people decide to have a baby, they engage in an act of production, and the widespread use of the word reproduction for this activity, with its implication that two people are but braiding themselves together, is at best a euphemism to comfort prospective parents before they get in over their heads.
In the subconscious fantasies that make conception look so alluring, it is often ourselves that we would like to see live forever, not someone with a personality of his own. Having anticipated the onward march of our selfish genes, many of us are unprepared for children who present unfamiliar needs.
Parenthood abruptly catapults us into a permanent relationship with a stranger...
We depend on the guarantee in our children’s faces that we will not die. Children whose defining quality annihilates that fantasy of immortality are a particular insult; we must love them for themselves, and not of the best of ourselves in them, and that is a great deal harder to do.
Loving our children is an exercise for the imagination.
Our children are not us: they carry throwback genes and recessive traits and are subject right from the start to environmental stimuli beyond our control. And yet we are our children: the reality of being a parent never leaves those who have braved the metamorphosis.
The book examines horizontal identities and… love. Ruminate.
P.S. This is what I will be reading next: This is The Story of a Happy Marriage by Ann Patchett. Because, this:
“The tricky thing about being a writer, or about being any kind of artist, is that in addition to making art you also have to make a living. My short stories and novels have always filled my life with meaning, but, at least in the first decade of my career, they were no more capable of supporting me than my dog was. But part of what I love about both novels and dogs is that they are so beautifully oblivious to economic concerns. We serve them, and in return they thrive. It isn’t their responsibility to figure out where the rent is coming from.”
In my mind, fiction and nonfiction stayed so far away from each other that for years I would have maintained they had no more a relationship than fiction and waitressing. … But I’ve come to realize that while all those years of writing fiction had improved my craft as a writer across the board, all those years of writing articles … had made me a workhorse, and that, in turn, was a skill I brought back to my novels.
and, fuck, this:
“For me it’s like this: I make up a novel in my head (there will be more about this later). This is the happiest time in the arc of my writing process. The book is my invisible friend, omnipresent, evolving, thrilling… This book I have not yet written one word of is a thing of indescribable beauty, unpredictable in its patterns, piercing in its color, so wild and loyal in its nature that my love for this book, and my faith in it as I track its lazy flight, is the single perfect joy in my life. It is the greatest novel in the history of literature, and I have thought it up, and all I have to do is put it down on paper and then everyone can see this beauty that I see.
And so I do. When I can’t think of another stall, when putting it off has actually become more painful than doing it, I reach up and pluck the butterfly from the air. I take it from the region of my head and I press it down against my desk, and there, with my own hand, I kill it. It’s not that I want to kill it, but it’s the only way I can get something that is so three-dimensional onto the flat page. Just to make sure the job is done I stick it into place with a pin. Imagine running over a butterfly with an SUV. Everything that was beautiful about this living thing — all the color, the light and movement — is gone. What I’m left with is the dry husk of my friend, the broken body chipped, dismantled, and poorly reassembled. Dead. That’s my book.”